It is directed by Masahito Kobayashi and written by Naoko Ogigami, with Mikako Tabe voicing Kaoru in Japanese and Lana Condor voicing Kaoru in English. Ī stop motion animated series called Rilakkuma and Kaoru began streaming on Netflix on April 19, 2019. In September 2018, a second pop-up shop opened at the New York City's Times Square. In September 2017 San-X opened its first temporary pop-up Rilakkuma shop in Florida, USA. Marketing and distribution Īlong with stationery and product lines, Rilakkuma has collaborated with multiple organizations, brands, and character cafes. Chairoikoguma has defined fangs when its mouth is opened, as well as bear-shaped honey patches on its feet and rear. Korilakkuma finds it one day in the forest and befriends it, bringing it to meet Rilakkuma and Kiiroitori. "Brown little bear") is a brown honey bear introduced in 2016. Chairoikoguma Ĭhairoikoguma ( チャイロイコグマ, lit. He can leave his cage at any time and takes care of both Rilakkuma and Korilakkuma. "Yellow bird") is Kaoru's pet yellow bird introduced in Rilakkuma Seikatsu in 2003. It has a mischievous personality and loves pranks. It has a red button on its chest and does not appear to be a real bear. Like Rilakkuma, it appeared in Kaoru's apartment one day and was named by Kiiroitori. "Little relaxing bear") is a white bear introduced in Rilakkuma Seikatsu in 2003. It is accompanied by other creatures in the series, who also have their own character lines. The zipper on its back reveals that his appearance is a costume, and its true form is unknown. In Rilakkuma Seikatsu, which describes its origin story, it appears one day in the apartment of a female office worker named Kaoru, who only appears as a silhouette. Rilakkuma was launched in 2003 and first seen in San-X's four-panel comic series titled Rilakkuma Seikatsu. San-X initially found Rilakkuma too gangly and had preferred characters with small hands. This inspired her to create Rilakkuma, with its name a portmanteau of the words "relax" ( リラックス, rirakkusu) and "bear" ( 熊, kuma) Rilakkuma was designed with a slightly sloppy posture because Kondo found it amusing, believing that it should look "cute", yet "out of place." Kondo had also designed Rilakkuma with a zipper on its back, which became one of its quirks. After watching a TV show about dogs at the height of the pet boom in Japan, Kondo not only wanted a pet dog, but also envied its life, as she was busy with work and hoped to relax more. At the time, San-X ordered staff members to create one character per month. San-X employee Aki Kondo had previously created characters such as Amagurichan and Mikanbouya. Along with picture books and comics, a stop-motion animation series titled Rilakkuma and Kaoru was broadcast in 2019. After the character's launch in 2003, Rilakkuma has been featured on stationery and merchandise created by San-X, as well as several collaboration cafes. Therefore all kinds of tricks, like ambient occlusion, have been proposed to enhance the quality of ambient light.Rilakkuma ( リラックマ, Rirakkuma) is a fictional character produced by the Japanese company San-X and created by Aki Kondo. Even if youd argue that its useful model, it certainly is not uniform. The real problem is that ambient light does not really exist. Image with ambient (right) looks more natural, although possibly a bit flat if overused. Image 1: Image without ambient light (left) looks like it was shot in space. Ambient light also makes the difference between dark materials and light materials more apparent. But the opposite problem is that surfaces look like they are on outer space. In practice this means that light position or surface normal has no meaning, one just adds some of the shaders color multiplied by ambient light color to the shading result.Īmbient light has a tendency to look artificial when overused. Even with strategically placed fill lights you still have areas where none of the direct light hits.Īmbient light tries to solve this problem by shining by a constant amount in all directions. Traditional rendering solutions do not do account for secondary light bounces (called indirect light).
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